Analyzing+Moving+ImagesMD

Individual Assignment
Low-Angle shot || High-Angle: When the camera person was looking up to witness the helicopter above the race track Low-Angle: When the camera man was staring down at the road below || High-Angle: to focus/show something that is above your eye view when looking directly straight Low-Angle: to focus/show something that is below your eye view when looking directly straight ||
 * 1. Create a wiki page called Analyzing Moving Images //initials.//**
 * 2. Copy the chart below. Paste it on your wiki page. Watch the video again and complete the chart.**
 * **Distance of camera** || **Brief details** || **Why chosen/effect** ||
 * long shots || When they are introducing the name and landscape of the trail they will be racing on || so that you can understand the full view of the background and main part of the image ||
 * medium shots || When they are introducing the motorcycle racer || to emphasize the person as a whole. To show a portrait of a man or woman as being a full subject and showing the people what the main idea of that certain frame is ||
 * close up shots || When the two racers were hugging each other before the race || to make a particular object or item more prominent and important looking to the brain by focusing close up to it ||
 * big close up shots || When the camera focuses on the racer while he is riding on the trail || to emphasize the importance or urgency of the scene and letting the audience know by focusing really close on the subject's most prominent part about the situation ||
 * **Type of shot/movement** || **Brief details** || **Why chosen/effect** ||
 * Pan || When the race car is zooming down the trail at a fast speed and curved down the road || show a longer or wider subject that cannot be captured in one take of the camera and requires a longer shot ||
 * Tilt || When the camera man is recording the hills, mountain, and rough terrain of the race track || to show an object that is so tall vertically that the camera must move to capture it, therefore being able to capture the full essence of the object being shown ||
 * High-Angle shot
 * High-Angle shot
 * Point of View || When the driving is being shot as he is racing down the track || to show the audience what was happening during the race by the racer's point of view of the situation ||
 * **Type of Edit** || **Brief Details** || **Why chosen/effect** ||
 * Cut || When at the end they show to camera shots, one right after each other, of the racer's family hugging and congratulating him about his great performance in the race || to give the effect of the scene not actually ending, but also showing the same main idea, just in a different position ||
 * Fade || When the movie is ending to the credits || to slowly hint the way into the ending of the film, the fade is a way of telling the people that two very different scenes will come together and conclude ||
 * Dissolve || When they were changing position of the camera during an interview || to give the effect that the scene is becoming a new ||
 * Wipe || At around 1 minute, 44 seconds, a piece of paper flashes over the screen and the scene changes || To take the viewers attention off the last frame and move to a new one with little notice ||
 * Wipe || At around 1 minute, 44 seconds, a piece of paper flashes over the screen and the scene changes || To take the viewers attention off the last frame and move to a new one with little notice ||